Aktor
Pragina, aktor, aktris, pemeran, utawi pameran inggih punika anak sane dados pragina ring sajeroning fiksi,[1] becik ring media tradisional sakadi teater, utawi ring media modern sakadi film, radio, miwah televisi. Seni akting sane kalaksanain olih aktor saking memeranin karakter, napikeh kadasarin antuk tokoh nyata utawi fiksi, sasai kabaos "peran aktor". Istilah puniki taler mapaiketan sareng kawigunan gulungan ring teater klasik. Proses nyinahang karakter olih aktor polih kalaksanain yadiastun dugas ipun maplalian padidi saking wangun seni patunjukkan eksperimental.
Ring Yunani Kuno, Abad Pertengahan, lan sasuen periode William Shakespeare ring Inggris, manut sakadi lumrah, tuah anak muani sane kalugra maplalian peran, dadosne peran anak luh sasai maplalian olih anak muani utawi anak muani.[2] Yadiastun ring Roma Kuno wenten anak istri sane maakting ring panggung, wantah akidik sane madue peran mabebaosan. Nanging, tradisi commedia dell’arte Italia sampun ngicenin para istri sane waged mapentas saking pangawit. Lucrezia Di Siena, sane wastannyane kasurat ring kontrak akting saking tanggal 10 Oktober 1564, miwah kaakui pinaka aktris istri Italia sane kasub kapertama. Vincenza Armani miwah Barbara Flaminia inggih punika silih sinunggil aktris panggung miwah luh pertama sane madue kahuripan sane kadokumentasiang ring Italia, miwah ring Éropa makasami.[3] Sasampune Restorasi Inggris duk warsa 1660, anak istri ngawit medal ring panggung ring Inggris. Ring jagat modern, pamekas ring pantomim miwah makudang-kudang opera, anak istri kadang-kadang maplalian peran anak lanang utawi anak lanang sane anom.[4]
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Wikimédia Commons madué média indik Actors. |
- ↑ "The dramatic world can be extended to include the 'author', the 'audience' and even the 'theatre'; but these remain 'possible' surrogates, not the 'actual' referents as such" (Elam 1980, 110).
- ↑ Neziroski, Lirim (2003). "narrative, lyric, drama". Theories of Media :: Keywords Glossary :: multimedia. University of Chicago. Kaaksés 10 Séptémber 2026.
For example, until the late 1600s, audiences were opposed to seeing women on stage, because of the belief stage performance reduced them to the status of showgirls and prostitutes. Even Shakespeare's plays were performed by boys dressed in drag.
- ↑ Giacomo Oreglia (2002). Commedia dell'arte. Ordfront. ISBN 91-7324-602-6
- ↑ JULIET DUSINBERRE. "Boys Becoming Women in Shakespeare's Plays" (PDF). S-sj.org. Kaarsipin saking versi asli (PDF) tanggal 23 Juli 2008. Kaaksés 10 Séptémber 2026.
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