Kakedékan

Kedekan (Alus singgih: Ica) [1]inggih punika reaksi fisik lan emosi sane biasane nyenengin sane biasane kawangun antuk kontraksi ritmis, biasane kapireng saking diafragma lan bagian-bagian sistem pernapasan sane lianan. Punika pinaka respons majeng ring rangsangan eksternal utawi internal sane sampun katentuang. Kedekan prasida metu saking parikrama sakadi kagelitikin, [2] utawi saking satua sane lucu, pencitraan, video utawi pikayunan. [3] Sane pinih sering, kabaos ekspresi auditori saking makudang-kudang kahanan emosi sane positif, sakadi sukacita, girang, bagia utawi lega. Nanging, ring makudang-kudang galah, punika minab sangkaning kahanan emosi sane matungkalikan sakadi kimud, kaget, utawi bingung sakadi kedek gugup utawi kedek sopan santun . Yusa, jenis kelamin, pendidikan, basa lan budaya makasami punika indikator [4] indik napike jadma punika pacang ngarasayang kedek ring kahanan sane sampun katentuang. Tiosan ring manusa, makudang-kudang spesies primata tiosan ( simpanse, gorila miwah orangutan ) nyihnayang vokalisasi sekadi kedek pinaka penampén saking kontak fisik sekadi magulat, maplalian nguber utawi ngelitik.
Kedekan inggih punika pahan saking parilaksana manusa sane kaatur olih otak, ngwantu manusa nlatarang pikayunannyane ring interaksi sosial lan ngicenin konteks emosional ring pabligbagan. Kedek kaanggen pinaka cihna dados pahan saking seka-punika nyihnayang penerimaan miwah interaksi positif sareng anak tiosan. Kedekan kadang-kadang kacingak nular lan kedekan silih sinunggil jadma prasida ngraga ngawinang kedekan saking jadma sane lianan pinaka umpan balik sane positif. [5] [6] [7] [8]
Studi indik humor lan kedek, lan efek psikologis lan fisiologisnyane ring angga manusa, kawastanin gelotologi.
- Pati sangkaning kedek
- Kedek sane corah
- Yoga kedek
- Kedek sane paradoks
- Kedek lan nangis sane patologis
- Makenyem
- ↑ "Kedek". BASAbaliWiki (ring Inggris). 2023-09-22. Kaaksés 2025-08-14.
- ↑ Stearns, Frederic Rudolph (1972). Laughing: Physiology, Pathology, Psychology, Pathopsychology and Development. Springfield, Ill., Thomas. pp. 59–65. ISBN 978-0398024208.
- ↑ Shultz, T. R.; Horibe, F. (1974). "Development of the appreciation of verbal jokes". Developmental Psychology. 10: 13–20. doi:10.1037/h0035549.
- ↑ Olmwake, Louise (1937). "A study of sense of humor: Its relation to sex, age and personal characteristics". Journal of Applied Psychology. 45 (6): 688–704. doi:10.1037/h0055199.
- ↑ Camazine, Deneubourg, Franks, Sneyd, Theraulaz, Bonabeau, Self-Organization in Biological Systems, Princeton University Press, 2003. ISBN 0-691-11624-5 – ISBN 0-691-01211-3 (pbk.) p. 18.
- ↑ Blumer, Herbert (1998) [1969]. "Society as Symbolic Interaction". Symbolic Interactionism: Perspective and Method. Berkeley and Los Angeles, CA: University of California Press. p. 84. ISBN 978-0-520-05676-3.
group action is the collective action of such individuals ['who fit their respective lines of action to one another through the process of interpretation']...the individuals composing...the group become 'carriers,' or media for the expression of such forces; and the interpretative behavior by means of which people form their actions is merely a coerced link in the play of such forces.
- ↑ Durkheim, Émile (1979) [1951]. "Imitation". Suicide: A Study in Sociology [Étude de sociologie]. Katerjemahang olih Spaulding, John A.; Simpson, George. New York, NY: THE FREE PRESS. pp. 125, 129. ISBN 978-0-684-83632-4.
Thus we yawn, laugh, weep, because we see someone yawn, laugh or weep...The name of imitation must then be reserved solely for such facts if it is to have clear meaning, and we shall say: Imitation exists when the immediate antecedent of an act is the representation of a like act, previously performed by someone else; with no explicit or implicit mental operation which bears upon the intrinsic nature of the act reproduced intervening between representation and execution.
- ↑ Bergson, Henri (26 July 2009) [1900]. "The Comic in General—The Comic Element in Forms and Movements—Expansive Force of the Comic". Laughter: an Essay on the Meaning of the Comic. Katerjemahang olih Brereton L. ES L., M.A., Cloudesley; Rothwell B.A., Fred. Project Gutenberg.
Laughter appears to stand in need of an echo, Listen to it carefully: it is not an articulate, clear, well-defined sound; it is something which would fain be prolonged by reverberating from one to another, something beginning with a crash, to continue in successive rumblings, like thunder in a mountain. Still, this reverberation cannot go on for ever. It can travel within as wide a circle as you please: the circle remains, none the less, a closed one.